Reception towards Simba has been generally mixed. The Christian Science Monitor's David Sterritt hailed Simba as "a superbly realized character," specifically praising the scene in which the character "faces discipline by his dad after his adventure with the hyenas."[83] Owen Gleiberman of Entertainment Weekly wrote that Simba "has been given a marvelously expressive face" to the point of which "He seems more human than the Ken and Barbie types featured in Aladdin and The Little Mermaid."[84] Peter Travers of Rolling Stone described "the father-son relationship" shared by Simba and Mufasa as "movingly rendered,"[85] while About.com's David Nusair wrote, "it's the touching father/son stuff that lies at the heart of the movie that cements The Lion King's place as an utterly timeless piece of work."[86] James Berardinelli of ReelViews enjoyed the fact that the film focuses more on the story of Simba himself as opposed to the romantic relationship developing between the character and Nala. However, Berardinelli criticized Matthew Broderick's vocal performance, describing it as "nondescript."[87] Rob Humanick of Slant Magazine hailed the fact that "it's never laid on [Simba] that his time as king will directly correspond with the eventual passing of his father" as one of the film's "most important facets." However, he criticized The Lion King's characters, describing them as well-designed but "lazy and troublesome."[88] The Austin Chronicle's Robert Faires felt that Simba and the other Lion King characters, though "true", were simply unoriginal retreads of preceding animated characters who were "swiped from other Disney cartoons."[89]
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